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- VIEW POINTS, Page 101CINEMASpeak Up, We Can't Hear You
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- By Richard Schickel
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- Gus Van Sant adores characters who are literally too
- sensitive for words. This recommends his work to the serious
- younger audience, which tends to mime its discontents by
- striking sullen poses. But it is not a useful attribute for a
- maker of sound movies. Neither is Van Sant's disdain for
- narrative. He got away with Drugstore Cowboy because its band
- of drugged-out dodoes were engaged in a petty crime spree that
- almost passed for a plot. But My Own Private Idaho is a
- different story. Or rather nonstory, in which a pair of
- homosexual hustlers (River Phoenix and Keanu Reeves) search
- inconclusively for the meaning of their lives. What plot it has
- is borrowed, improbably, from Henry IV, and whenever anyone
- manages to speak an entire paragraph, it is usually a
- Shakespearean paraphrase. But this is a desperate imposition on
- an essentially inert film. There's more drama, and comedy, in
- the reviews of critics who committed themselves to Van Sant's
- anti-Establishment genius after Cowboy and are trying to justify
- their enthusiasm now. Talk about desperation!
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